![]() Istnieje również możliwość zakupu na sztuki w cenie 600 $ netto za odmianę OpenType. BentonModernFour – Bold & Bold Small Caps.BentonModernFour – Italic & Italic Small Caps.BentonModernFour – Roman & Roman Small Caps.BentonModernThree – Bold & Bold Small Caps.BentonModernThree – Italic & Italic Small Caps.BentonModernThree – Roman & Roman Small Caps.BentonModernTwo – Bold & Bold Small Caps.BentonModernTwo – Italic & Italic Small Caps.BentonModernTwo – Roman & Roman Small Caps.BentonModernOne – Bold & Bold Small Caps.BentonModernOne – Italic & Italic Small Caps.BentonModernOne – Roman & Roman Small Caps.Wszystkie 16 fontów dostępnych jest w formacie OpenType przeznaczonym są zarówno dla systemów Windows oraz Mac OSX The italic, based on Century Schoolbook Italic, was designed by Richard Lipton and Christian Schwartz, who also added the Bold FB 1997–2001 Widening the text face for the Detroit Free Press, he returned Century’s proportions to Morris Fuller Benton’s turn-of-the-century ATF Century Expanded, successfully reviving the great news text type. Antenna – Extra Condensed Medium Italicīenton Modern was originally undertaken by Tobias Frere-Jones to improve text at The Boston Globe.Antenna – Extra Condensed Regular Italic.Antenna – Extra Condensed Extra Light Italic.Antenna – Compressed Extra Light Italic.Wszystkie 56 fontów dostępnych jest w formacie OpenType przeznaczonym są zarówno dla systemów Windows oraz Mac OSX ![]() Antenna’s rhythms project business-like subtleties through seven weights in four widths, with matching italics FB 2007 Beyond the tension of his normal line, Highsmith places a new emphasis on the repeat and variation of counter shapes with the spaces between characters. ![]() The calm and deliberation of Antenna offers further development to the excitement and mobility that we have come to expect from the hand of Cyrus Highsmith. Istnieje również możliwość zakupu na sztuki w cenie 40 $ netto za odmianę OpenType. Wszystkie 35 fontów dostępnych jest w formacie OpenType przeznaczonym są zarówno dla systemów Windows oraz Mac OSX Fascinated by the visual aspects of these entirely functional compensations, Christian Schwartz designed Amplitude, an extensive sanserif series for text and display that turns function into style: deep angled cuts keep small sizes readable, while adding character at display sizes. A successful agate predicts the spread of ink on paper and effectively keeps legibility under less than ideal conditions.
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